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Category Archives: Language Arts

Review of Sharon Watson’s Writing Fiction in High School

We have two writers in our house – Emma is working on a screenplay, and I like writing fiction – so the chance to review a course from Writing with Sharon Watson was appealing to both myself and my daughter.
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As the title states, Writing Fiction in High School with Sharon Watson is a fiction writing course for 9th-12th graders interested in acquiring a high school credit in English/Composition by studying how to compose fiction from conception to publication.

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Have you ever thought about taking a course with your kids instead of just assigning it? Maybe in high school we were so busy trying to get out of doing schoolwork that we didn’t appreciate the opportunities we were given? As homeschoolers, we get to relive those years to some extent, and correct the mistake of not learning when we had the chance.

Writing Fiction gave my daughter and I the opportunity to sit down together and do some fun and interesting writing assignments. It took us days to write a 26 sentence story, each sentence beginning with a letter of the alphabet. That’s what happens when you give a couple of perfectionists that kind of assignment! However, it was the sort of exercise in creativity and discipline that is particularly helpful to students who are serious about writing, but just plain fun for those who aren’t.

This program is very flexible, and can be used with a group, such as a co-op or writing club, or by a self-motivated student.

To give you an idea of how thorough this course is, the chapters in the Student Workbook cover these and other topics:

  • Facts About Fiction- the power of fiction, being a good reader, where ideas come from, being truthful in your fiction, and hooking your reader
  • Point of View- 1st, 2nd, and 3rd person, being consistent with POV, proofreading marks
  • Fairy Tales- motifs, creating rhythm,
  • Characters and Characterization- voice, emotion, appearance, reactions, naming, creating an empathetic lead, motivation, the death of a character, the antagonist
  • Conflict- internal and external conflicts, goals, death, tension, character arc
  • Dialogue- subtext, exposition, dialogue formats, dialogue tags, indirect dialogue
  • Description- descriptive tools such as sensory details, figurative language, organic imagery, vivid verbs, direction, weather, time, reaction, and the #1 rule of writing “Show, don’t tell”.
  • Words, Words, Words- audience and word choice, connotation, impact, passive/active, parallelism, style
  • Theme- how to fix 3 major problems with theme
  • Plot- two plot structures; the hero’s journey, the circle
  • Scenes- deconstructing scenes
  • Beginnings and Endings- hooking the reader, genre, rules of story, setting, tone, the protagonist’s voice, foreshadowing future conflict, endings, reader expectations
  • Getting Published- revisions, how to get published, manuscript format, pen names, rejection letters

Each topic has activities to help students internalize the writing principles and story structure explained and illustrated, such as rewriting a passage in a different voice, or brainstorming plot points related to the story’s value. Many of the exercises in the workbook use The Last Book in the Universe by Rodman Philbrick as a model or illustration of the lessons in the chapter. There are also a huge variety of examples from best-selling books and popular movies, chosen for their quality and age-appropriateness. Every family has their own ideas of what is best for their kids, but there are so many from which to choose that picking examples that would work best for your student is not a problem.

The Teacher’s Guide contains helpful notes about assignments as well as answers for the discussion questions, and a list of books, short stories, and media needed for each chapter. Parents need not worry that they won’t know what to say when discussing the story examples and the principles of writing. The Teacher’s Guide is very thorough.

We may want to view every story our child writes as a masterpiece, but if they really want to learn to write well, a course like  Writing Fiction in High School with Sharon Watson will give them an incredible foundation in just a few months. It will help the avoid the most common mistakes young writers make- weak plotting, head hopping POVs, overuse of dialogue tags, excessive adverbs, too much exposition, etc. They will also learn how to view what they are reading with the right kind of critical eye for theme, characterization, and motif. If they have aspirations to be a published author, they will learn professional writing tips and how to submit a manuscript to an agent or publisher.

If only I’d've had this course when I was in high school. . . and if wishes were dishes, I’d be Neiman Marcus.

But you can give your student the glossy non-consumable trade paperback Student Workbook (300 pages) for $25.05, and the Teacher’s Guide (84 pages) is available for $9.95.

Want to know what the rest of the Schoolhouse Review Crew
thought about resources from Writing with Sharon Watson?

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Review of Progeny Press Study Guide for Beowulf

Literature study guides help students connect purposefully and intelligently with the books they are reading, and Progeny Press provides a tremendous variety of quality guides for students of all age and grade levels with an analysis from a Christian perspective.
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We reviewed the study guide for Beowulf (for grades 9-12), a story considered to be the first great adventure novel. Progeny Press guides are available as printed booklets ($21.99+shipping), a CD ($18.99+shipping) or an instant download ($18.99). We used the download, which is an interactive .pdf that allows the student to fill  out and save all typed data, but pages can also be printed and filled in workbook-style for those who prefer their children write out answers instead of using a computer.

Parents have “limited permission” to use these guides. In other words, when you purchase a Progeny Press study guide, you have permission to copy it for use in your home with your own children.

Literature study guides are a valuable resource for homeschoolers, and guides from Progeny Press give parents and students the guidance they need to make the most out of their reading program. Parents who are readers are often comfortable discussing literature with their children, while parents who were not encouraged to read feel inadequate to the task. Both can gain valuable insights into literature using these guides, and students who like to work independently can complete the book and guide at their own pace.

It is recommended that the student read the entire poem before beginning the guide, and then working on a page or two of the guide every day. It takes the average student about 10 weeks to complete the Beowulf guide.

The guide begins with instructions, a brief synopsis of the story (which is actually an epic poem), and a short bio of the author. More context is provided with historical information about the Scandinavians and Anglo-Saxons. There is also a section about what it means to read from a translation, since the text we have is technically not the original story. There is more than one English translation, and they all differ in some way. This guide is based on the Seamus Heaney translation. It is helpful if the student has access to more than one translation so that they can compare these differences.

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There is also a list of pre-reading activities to help students gain important  perspective on the time, place, and cultural impact of one of the most famous ‘hero’ adventures ever written.

The study guide proceeds to help students understand and internalize story elements by defining the unique vocabulary found in this epic poem. and explaining the literary techniques used, such as alliteration, foreshadowing, characterization, and irony.

Questions are formatted as fill-in-the-blank, short essay, multiple choice, word finds, and even crosswords to give students a variety of ways to interact with the material.

Analysis from a Christian worldview is what makes Progeny Press guides unique. Students are encouraged to take their critical thinking to a deeper level, and compare character types, plot points, and settings with similar elements in Scripture, in essence using the Bible as the measure of truth and values and applying that to literature.

Optional assignments, such as investigating sword manufacturing and design, or researching literary allusions mentioned in the poem are given at the end of each section.

The guide concludes with overview questions, and optional essays and projects that could serve as a test or final on Beowulf. This is followed by a list of additional resources, as well as works consulted and cited in the guide. The answer key is also included at the end of the guide.

We followed the instructions given in the guide- reading the book, then working a couple of pages a day in the guide. I’ve always loved to read, and enjoy revisiting this story with my daughter. I found the guide very thorough, thought-provoking, and written in a tone that was pleasant and interesting. I also appreciated the convenience of allowing Emma to investigate this story herself with a trusted literature guide. Emma felt that the explanations were clear and interesting, and variety of questions and activities kept the material engaging. She saved the file to her desktop for quick access, typed her answers into the document and saved them in her Language Arts folder on her laptop.  The completion of the Beowulf study guide will count as 1/4 of a high school credit in Literature in her records for her high school transcript.

See what others on the Schoolhouse Review Crew had to say about Progeny Press guides.


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Review of Art of Poetry

Poetry is an important part of any language arts curriculum, and Art of Poetry by Classical Academic Press is a great resource for any parent who feels inadequate, intimidated, or even ambivalent about the idea of teaching poetry. It is also perfect for the parent who loves poetry and wants to inspire their children to love it too.Photobucket

We have a regularly scheduled time for language arts every day. During the first semester we focus on Grammar, Spelling, and Format Writing, while the second semester is dedicated to Literature and Creative Writing. When we received Art of Poetry for review, we found it to be flexible enough to easily to fit it in with our Literature studies.

I love poetry, and often recite poems I have memorized over the years, explaining to my kids the meaning behind them. Sometimes they are interested, and sometimes they give me that “Whatever, Mom” look from under their eyelids. Art of Poetry gave them another teacher, and a different voice, as well as examples of other students learning about the same poems and literary devices. Photobucket

We received the Art of Poetry Bundle, which contained a student book, Teacher’s Edition, and a DVD with chapters 1 & 2 explained by author Christine Perrin to a panel of bright and articulate 8th graders. We allowed for 30 minutes for Art of Poetry every day, so we watched about 15 minutes on the DVD, and then read and discussed the poems and questions in the text for the rest of the time. Most of the time we only covered one poem per day. It has been with more and more reluctance that we put our books down to begin our creative writing lessons.

We began with Chapter One: Images. The poems that were chosen for this text are eclectic and beautiful. We enjoyed watching the students on the DVD explain their perceptions of the imagery in “The Panther” by Rainer Maria Rilke. It was refreshing to see my kids surprised by the depth and breadth of meaning that a poem could have for different people. What seems like a relatively short rhyme about a caged panther had many subtle images woven through that conveyed feelings of despair, bondage, and hope deferred. They were also introduced to how the shape of the poem – the punctuation, spacing, and line breaks themselves could influence how the poem is read and therefore, what the poet is trying to communicate.

Other chapter titles in the first section, The Elements of Poetry, were:Art of Poetry 1
Chapter Two: Metaphor
Chapter Three: Symbols
Chapter Four: Words
Chapter Five: Sound and More Sound
Chapter Six: Rhythm
Chapter Seven: Shape- Stanza and Line
Chapter Eight: Tone, Putting It All Together

The variety made it exciting to see what kind of poem would be next. Would it be a ballad about death by John Donne? A literary absurdity like “Jabberwocky”? Or the light-hearted retelling of a a fishing expedition (“The Fish”)?

The second section, The Formal History of Poetry, explores the history of form, movements, and genres, verse forms, shaping forms, open verse, narrative poems, as well as the lives, influences, and contributions of Emily Dickinson and Walt Whitman. This section is especially useful for a family using this as part of their history studies.

Poets use verse to express their highest joys and deepest pain. They celebrated and grieved while crafting these works of art that have survived the test of time. Poems continue to be read and memorized because the emotions expressed resonate with any person who has a heart and soul. Children need to not only appreciate the artistry of being able to express oneself this way, but they can also learn to connect to people of another place and time who experience the same feelings we do and are able to communicate them in a variety of forms.

Chapter Sixteen, Growing Your Interest, gives parents and students many ideas about how to apply their knowledge and interest of poetry, from starting a poetry group, keeping a journal or notebook, to hosting a Reading Series at a local bookstore or cafe.

This program offers quite a few options as to how to integrate it into your own homeschool. The Teacher’s Edition includes the student text, as well as illustrations of how to read the poems, background of the poet and the poem’s subject matter, deeper explanations of the poem’s meaning, and answers to all of the discussion questions. Art of Poetry can be used as an intensive unit study, or spread out over time as part of a Language Arts/Literature class, or integrated into History studies. The Time Line that is included in the back of the book takes all the labor and guesswork out of the Historical approach.

This could be a self-directed course, but we chose to use it together. It was just as interesting to my 11 year old boy as it was to my 14 year old daughter. Even Noah, a very cool 16 year old, enjoyed the intricate and expressive lines of many of the poems.

If purchased separately, the student text is $24.95, the Teacher’s Edition is $29.95, and the DVD set (15+hours of instruction by Christine Perrin and discussion with her student panel) is $69.95. The Art of Poetry Bundle, however, offers substantial savings at $99.95. On each product page is a link to a sample of the text, audio files, and the DVD lessons so that you can get an even closer look at what this curriculum could provide for your homeschool.

Want to read more reviews of products from Classical Academic Press? Click the graphic below.

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Review of Essentials in Writing

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When I read the description of Essentials in Writing for Fourth Grade (ages 9-10), I saw it as a two-for-one curriculum; a comprehensive grammar and composition course, and I was not disappointed.

Essentials in Writing for Fourth Grade ($40) consists of 3 disks: two contained the DVD lessons taught by former middle-school English teacher Matthew Stephens, and the third contains the printable worksheets files with answer keys, which are all in .pdf format. I chose to print the worksheets myself, use a 3-hole punch, and add them to Kenny’s Language Arts binder. However, there is an option to purchase the preprinted workbook ($20).

The first thing to do with any new resource is look it over thoroughly. I read through the worksheets, and watched portions of several lessons on the DVDs to get a feel for how we would use it. Based on Kenny’s reading and writing skills, I decided to do the grammar and composition sections concurrently.

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We also did several lessons per day until we reached a lesson with concepts we had not covered. “Why not skip those repetitive lessons?” you ask? Because using those lessons with content with which the student is already familiar gives them a ‘comfort zone’ of 1) learning to use the product and 2) not being confronted with both the ins-and-outs of the program and being introduced to new concepts.

Kenny and I read through the accompanying worksheet together before we watched the lesson on the DVD. This helps him focus on the concepts that will be illustrated in the audio/visual presentation. After we watched the DVD lesson, he completed the worksheets, which are labeled with numbers and letters. It is recommended that the parents only assign one worksheet per day. Worksheet 1A, for instance, would be Monday’s assignment, and 1B would be Tuesday’s. Kenny moved through the beginning lessons at a faster pace, slowed down for lessons about how to spell plural nouns, sped back up for adjectives, slowed down again for adverbs. I assigned worksheets according to his understanding, need for practice, and ability to progress.

I usually have Kenny read the worksheet out loud to me, as this helps him focus on the instructions, and I perceive fairly quickly whether or not he understands the content before we go any further.

There are some significant benefits for parents who sit down and watch DVD lessons with their kids. For Essentials in Writing grade fourinstance, the Essentials in Writing creator and teacher, Matthew Stephens, teaches each lesson with energy and enthusiasm. He obviously brings his years of experience to this curriculum, illustrating each point on the whiteboard behind him. Occasionally he interacts with his class (which remains off camera). Parents can gain insight into how to present and demonstrate information to students in an orderly, engaging manner. Students also see other ways in which grammar and composition skills can be conveyed, practiced, and internalized.

As I said, Kenny did the grammar and composition sections of this curriculum at the same time. The first lesson, “What is Writing” gelled nicely with Lesson 29, “Parts of a Friendly Letter”. Then while he quickly progressed through lessons about simple and compound subjects and predicates, sentence errors, dependent and independent clauses, he practiced writing letters, and then moved on to lessons about the writing process, paragraphs, narratives, and description. I also had my high schoolers watch some of the lessons on descriptive and persuasive writing because I liked the way Mr. Stephens explained them.

The lessons about nouns gave me the opportunity to show Kenny that a word can’t accurately be labeled as a part of speech until it is used in a sentence. On the worksheet below, is “bark” a singular or plural noun, or a verb? Even the word “table” can be used as a verb. I’m just OCD enough to make this kind of detour during a lesson, as it is important to me that my kids use language precisely and don’t develop the habit of making assumptions.

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The DVD lessons are quick and concise, but thorough. Seeing Mr. Stephens demonstrate each point himself on the whiteboard as he discusses language rules and reasoning is helpful for auditory and visual learners. Using the above described method, Essentials in Writing required 30-45 minutes to complete each day. This could easily be an entirely self-directed Language Arts curriculum. For the price of $40, this is an economical option for any homeschooling family.

For more information about how to use Essentials in Writing, read the “How to Use” page. To see a sample video lesson for EIW’s elementary and middle grade courses, go to the Course Catalog, choose the grade level you are interested in, and click on the video toward the bottom of the page.

Check out the other reviews by the Schoolhouse Review Crew by clicking the banner below.

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Teaching creatively with delight-directed learning

One of the ghosts that insistently haunts homeschoolers is the specter of learning gaps, and this phantom is 5 days of teaching creatively blog hopoften why parents are afraid to try any approach other than the traditional textbook/workbook- such as “delight-directed” learning.

“What if we miss something important?” they ask. “How do we make sure they don’t develop learning gaps?”

Learning gaps- sounds like a job for an orthodontist.

However, when I ask for an example of ‘something important’, no one has ever come up with a particular fact or concept that would be crippling if missed. This usually leads them to realize that there were huge gaps in their own education that were filled when the need arose.

We simply cannot anticipate all the possibilities that exist in our child’s future, so what we focus on instead are critical skills instead of memorizing mountains of facts. As our students mature and begin pursuing their interests, as well as the process of deciding on a vocation, they will encounter any gaps that require bridging, and acquire the necessary knowledge and skills at that time.

Once you exorcise the Ghost of Learning Gaps, you are free to find an educational method that liberates your child, not only to learn, but to love learning.

We express our education liberation in “delight-directed” learning.

Delight-directed learning does not mean that kids are free to study anything they want at any time they choose. However, following a child’s interests does require taking these things into account, and allowing their curiosity to provide the direction and methods used to study different topics.

In the simplest terms, delight-directed learning is watching your children closely for glimmers of interest, for natural talents and gifts, for the spark of curiosity, and fanning these into a roaring fire of enthusiasm for learning.

free stock photo rgbstock.comThe foundation for delight-directed learning is constructed of core skills in math, reading, and writing. But even as these skills are being introduced and practiced, learning can still be pleasurable and even exciting by including the topics and ideas the child delights in, and finding materials that will capture their attention and inspire them to continue.

OK, so it sounds great on paper, but what does this really look like with children of different ages, genders, and interests? If everyone can go off in their own direction, how is a parent supposed to keep it all together? If you’ve already purchased curricula, how do you incorporate delight-directed learning into your homeschool?

As with many other aspects of homeschooling, this will look different for each family, for a variety of reasons. Young children are still building their foundation of core skills, and need more parental interaction and direction, while older children can be more self-motivated.

Here’s an example of delight-directed learning from our homeschool in literature.

During their elementary years, we focus on  reading and writing with competency. We also read books out loud as a family, many that we have chosen together, and I start introducing vocabulary and concepts that will help them learn to understand and deconstruct stories:free stock photo rgbstock.com

  • Describe the setting, and how it contributes to the story.
  • What does the protagonist  need or want, and who or what is keeping him from it?
  • What does the protagonist learn about the world or himself?
  • Did you connect with a character or event in the story?
  • Was there a theme?
  • Did you detect any symbols or metaphors?

At this level, I do not require much in the way of ‘book reports’. I’d rather they be excited about reading, and write their own poems and stories. I try to remain in the background, so to speak, continuing to encourage and guide them in their choices.

At the high school level, we step it up a notch. Every August, we compile a list of books to be read by June, when we typically take our summer break. There are only a few requirements:

  • Books must be age appropriate.
  • For every four printed books on their list, they can choose one as an audiobook. 
  • They must choose at least one ‘classic’.
  • A summary of some kind is to be submitted when they are finished with the book. This can be, among other things, a character sketch, a book review, a research paper on a related topic, or a short biography of the author.
  • They must schedule reading time every day so that they can meet their reading goals.

Their reports or papers are presented orally to the family, which gives them a chance to practice their speaking skills, and all of us a chance to discuss the book and ask questions about character and plot development, themes, and symbols or metaphors. Because their lists of books are very different, each of us gains some knowledge of works and authors with which we might otherwise have never become familiar. I have found that a child might not be interested in a book or topic themselves, but they are  drawn in by listening to someone else who is excited about their choices. This, to some degree, addresses the issue of learning gaps and ’rounds out’ their education.

If they choose a book that is more challenging, I will find a study guide for them to use to while they are reading. Emma is going to be using the Progeny Press study guide for Beowulf, which we are also reviewing for the  Schoolhouse Review Crew.

The threads that weave all through our delight-directed approach are togetherness and choice. As much as possible, we 1) read and discuss content and concepts in every subject together 2) the kids are able to choose topics of interest and books that explore those ideas.

Do you have any questions about how you could introduce delight-directed learning into your homeschool? Submit your questions in the comment section below.

This is the 5 Days of Teaching Creatively Blog Hop, sponsored by the Schoolhouse Review Crew. When you have finished reading and commenting on this post, you can click on the link below to find a list of participating bloggers.

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